My friend Adam at Jawbone Puppet theater has a philosophy for mask and puppet making he's focused on later in his career, to focus on what can be done as simply and quickly as possible to get the point across and focus more on the performance than detailed puppets. A similar, even more strict philosophy shared by Tim Giugni, who goes a step further is using entirely found objects and puppets made so quickly he can make them new every performance. I'm using a bit of that energy here, just getting the simplest shapes figured out with cardboard strips and a stapler before slapping on one-and-a-half layers of paper mache. I'm also a little tired of looking through black fabric, so to prove my own philosophy on the suspension of disbelief, all the eye-holes on these pieces will be open.
The cat here is based more on Basilio from the Russian Buratino, since I find his design more distinct than the Pinocchio version of the cat. I wanted him to have large, droppy cheeks and a wide face. The hat in the photos was a scrapped project, not lined yet, so I didn't mind cutting holes for the ears, and it gives him a lot of character to base the design off of. It also serves as the elastic to keep the mask on.
The fox is also based on the Buratino version, Alice. She is very dainty and made-up in fancy clothes. I don't have a hat for her yet, but I plan on giving her a bonnet with lots of lace.
I hung out at Wildland Roots for a day to get all this paper mache done!
A primer coat of white, now time for paint. My partner suggested that he should be a Siamese pattern, specifically a lavender point (which is a real coat pattern, though a lot less vivid purple than this guy). The fox got a classic fox palette, I know foxes don't have green eyes but needed the contrast, maybe she wears contacts in addition to her makeup.
I don't plan on covering any of the masks with fur, but I will likley use some yarn wefts along the edges to smooth the transtion between face and mask. And I do so love sympathetic movement.
In the meantime, they're getting hats! For the Fox, I found a large-brimmed staw hat at the thrift store (yes, in November) and cut the brim off. My plan was to give her a sort of bonnet with a ribbon around the chin that would hold it and the mask in place. I had to cut a bit of cardboard off the top of the mask, but I eventually got everything to fit and simply hot glued the brim of the hat to the head and backs of the ears.
I used an assorted collection of scrap fabric for the headscarf, pinned in place initially. To make sure it all stayed fairly in place, I sewed all the smaller pieces of lace and ribbon along the back. Resisting the temptation of more hot glue, I sewed the scarf to the hat by tacking it in four spots along the edge. Rubber bands hold the ends together and make it easier to tie.
Back seam of the headscarf
Choosing flowers
She's a pretty lady, she needs more accessories! I wanted to match the green in her eys and makeup, and went to my box of faux flower bits. These are also sewn into place, with a bit of hot glue for stability.
I also added a single pearl earring
She is such a fancy lady! I immidiately felt the character as soon as I put on the mask. The visibility is great too, a bit of a blind spot in the middle but very easy to see out of.
I already had plans for the cat, I just had to make some further adjustments to the hat. I finished the brim (still unfinished since I abandoned it months ago) and cut the lining away from the holes for the ears. I take less care in the little details with a costume than with something I plan on wearing regularly, so a zigzag stitch to hem the edges worked just fine. The elastic in the back makes it easier to get on and off and fit different head sizes. Starting with the holes for the ears, I fit the hat and glued it on.
He also got some earrings! He's a bit of a rouge, of course. Mostly small gold loops, and other assorted things I had in my stash.